Showing posts with label Laura Lippman. Show all posts
Showing posts with label Laura Lippman. Show all posts

Saturday, February 5, 2011

I'd Know You Anywhere

Laura Lippman

Tess Monaghan is missing from the latest novel by Baltimore's favorite crime writer. I'd Know You Anywhere is a psychological, well not a thriller exactly, but it has plenty of suspense and a serial killer of sorts.

Lippman takes the reader into the mind of an adult survivor of a childhood kidnapping and rape. The main character, let's call her Eliza, is living her life cautiously with a husband and two children when she gets a letter from the man  who snatched her when she was fifteen years old. Warren has been on death row for more than twenty years and Eliza's testimony, about the kidnapping and murder of thirteen year old Holly, had helped to convict him. Now the inmate wants to talk to her.

The logic of plot development dictates from the moment the letter arrives that Eliza will go and visit Warren in prison. The suspense in the book rides on a question: why did he let Eliza live when he killed the others?

Eliza has become a fearful person, always sleeping with the windows closed, worried that the world will intrude into her privacy, that she will again become a public spectacle as she was during the trial, that her own children will learn from someone else, before she is ready to tell them, what happened to her in 1985, that her own young daughter will blunder unknowingly into a similar situation.

In the end, at the "death house" as Warren is about to be executed, Eliza is faced with a difficult choice. This is also dictated by the logic of plot development. You'll have to read the book to find out what that choice is. Don't read ahead, that's cheating.

This post is in the 63rd
Book Review Blog Carnival

Published at Mysteries In Paradise.

Thursday, December 10, 2009

Hardly Knew Her

Laura Lippman

Hardly Knew Her is a collection of sixteen short stories and one novella by Baltimore's premier author of crime fiction. The stories tend to be about sex and murder. It's not a good thing in Lippman's universe to leave a woman unfulfilled, it can get you killed. Two of the stories involve Tess Monaghan, star of Lippman's detective story series. One of those is written in the form of an article in the "Beacon Light," the newspaper in Lippman's fictional Baltimore. It is an interview with Monaghan and her best bud, Whitney Talbot. Tess Monaghan fans must read it if they want to keep up with her life.


One short story, and the novella, feature Lippman's take on the "D.C. Madam." Her fictional character doesn't get caught and is very conscientious about providing her employees with security, health insurance and benefits. Lippman has carefully worked out her business plan. I suspect that we will see this character in a novel before long.

The short story is not my favorite reading. Authors tend to get all cute and O. Henry when they write short stories, going for the surprise ending in a predictable way, rather like my book reviews. These stories are no different. After reading a dozen or so of them the reader is no longer surprised to learn that the perky suburban housewife has killed her husband. Lippman's stories are mostly mini murder mysteries with the mystery left out. They are mostly written from the point of view of the murderer, for brevity's sake. For all that, these are very readable stories.



I wonder if the books title is intended to evoke traditional Irish song Johnny I Hardly Knew Ye, from which When Johnny Comes Marching Home was derived. It is the title of one of the stories, of course and on the surface at least is derived from a rather poor one liner, "Poker? I hardly knew her." I like my reference better. It's more literary.

Monday, March 16, 2009

Charm City

Laura Lippman

This is the second book in Lippman's Tess Monaghan series. It was originally published in a mass market paperback. My eyes don't do well with mass market paperbacks anymore, so I'm happy to see that Lippman's early efforts are swimming against the tide and coming out in hardcover, years after their mass market releases. I have become a big fan of charm city's own murder mystery writer.


Writing a review of a mystery novel without spoiling the plot is always difficult. I will attempt to be very vague on the details and leave you with no idea what is going on.

Charm City features the first appearance of Esskay, the hungry greyhound. The dog's sudden appearance in Tess' life begins one thread in the story, a thread that involves greyhound racing, oddly enough, since there is no dog racing in Baltimore. The other thread involves the famous Beacon Light, the fictional newspaper, which Lippman points out in a disclaimer bears no resemblance to the Baltimore Sun, where she still worked in 1997, when the book was first published.



Crow, the younger hipper, musician boyfriend is already present. I am going to need to track down Tess story #1, Baltimore Blues to see where he actually comes from. There is a bit of difficulty between Tess and Crow which is unresolved at the end of the book, a great teaser for book #3, Butcher's Hill. From reading later Tess stories I know that Tess and Crow resolve their differences. A sign of a good mystery series is that the reader gets sucked in and starts to care about the lives and relationships of the stock characters. Lippman's Tess Monaghan books qualify on this count, big time, Hon.

Lippman's books meet the other two criteria, which I just made up, for a better than average mystery series. Local color: Lippman uses Baltimore and the rest of Maryland in a totally authentic, charming and attractive way. She makes gentle fun of the way Bawlmurruns speak. Real locations, real local food and real sounding local situations are all through the book(s). Most importantly, for mysteries, as opposed to mere crime novels, you won't figure out who did it until the very end. I'm not even going to tell you what they did, but of course, people are killed.

Friday, July 4, 2008

Another Thing To Fall

Laura Lippman
Morrow
ISBN: 978-0-06-112887-5

Laura Lippman lives in, and writes about, Baltimore, Maryland, just across the Bay from me. I don't often get over there but there is a kind of appeal to reading a novel with a setting that is sort of familiar. Another Thing To Fall is the latest in her Tess Monaghan series of crime novels. Tess Monaghan may be the only fictional female private detective who rows a racing shell as a hobby. She is also a fictional graduate of Washington College, which is within walking distance from my house.



Another Thing To Fall
is not so much a whodunnit as a "What the heck are they doing?" story. There are several people who commit crimes ranging from vandalism to faking a kidnapping to, of course, murder. They all revolve around the filming of a silly sounding TV seriec called Mann of Steel. It's fairly clear, even before the crime is committed, who the perp is going to be, but hard to figure out why. The motives ov the various characters are revealed in the end and the book moves forward on a series of revelations about each of them.

Lippman uses the filming of a television show as the setting for her story. Baltimore has become known as the setting of gritty cop shows with The Wire and Homicide: Life on the Steets having long runs on the air. There is a new medical docudrama coming out called Hopkins, too. Baltimore really is a film industry town.







In the fictional show, Mann of Steel, the male lead is transported to the early 19th century by receiving a head injury and somehow is able to bring the female lead back to the 21st century with him. One of the themes of the novel is the difference between homage to earlier writing and theft of intellectual property, yet Lippman does not acknowledge the previous, and best known, example of time travel by head injury in Mark Twain's A Connecticut Yankee In King Arthur's Court. This may be an oversight, or a very subtle irony, I'm not sure which.